Hello. Time
for the fun to begin. And I'm going to
start with what, what I think is a really kind of interesting story. It's a story about the relation of
this concept we have of a soul to who we
are, and how our views of that have changed
over time, thanks largely to the combined contributions of Philosophy
and Biology. So, let's get right into
it. I've titled this lecture Psychology
Emerges from the Shadow of the Soul, nice imagery there. and I want to start, well, actually, I'm not
exactly sure where this starts. Because
for literally centuries and centuries, humans have always perceived themselves as special in some way. distinct
from everything else in the world around
us. I think this is captured really well in
a, in a song from the Police, where, where the chorus says, we are
spirits in a material world. The idea
there, the concept is that, sure, we
live in this world where everything around us is, is perceived as physical, as material. But we are something
else. We have a spiritual element to us
that makes us distinct. Now, this
distinction is really relevant in the scientific context for the following reason. Things that are physical,
things that are material, we assume that
the interactions, the behaviors those things
show must follow what we call natural laws. And in fact, science is the pursuit of those
natural laws. The idea that through
careful observation and systematic manipulation, we can figure out what those laws are. Things like
gravity, you know, and, and various
other laws. and that in so doing, we'll gain a really good understanding of this physical world
around us. And so, we studied Physics,
we studied Chemistry, we studied Biology Astronomy, etc. all of those are studies of the
physical world around us. But, of
course, if we do not perceive ourselves
as physical beings, if we perceive ourselves as spiritual beings, then what we're implying there is that our
behavior does not follow such
constrained natural laws. And if it doesn't, well then, it doesn't makes sense to study it scientifically. So
really, psychology would never be born
unless we started to think of ourselves in different ways and that
process really began with Rene Descartes
and here's a story of Rene Descartes that I really like. the idea is that he was walking through
a park in, in, in France, and as a
typical French park, it had statues and it had
flowers. Up ahead he saw a statue of, of Diana, goddess of the hunt, beautiful statue. So, he
started to approach to get a better look
at her, but as he came closer out from behind the bushes came Neptune, barring a trident and blocking his path. A
statue of Neptune, I should say, and
that's what was, you know, really so impressive, the statue moved as if
with intention. Now, how did it
move? Well, this was the time when
hydraulics was just being understood and used.
And so, literally, Rene Descartes had stepped on a pressure plate which
forced some sort of liquid through a
tube and ultimately that force was used to move
the statue on some relatively, relatively frictionless set of, you know,
rails or something like that. That's how
the motion actually happened. But in
Rene's mind, it was a really profound experience for the following reason. He knew that statue was inanimate,
he knew it was made of material, you
know, physical material, and yet it behaved as
though it was alive. That is, it was animate and had intentions. It looked like the statue was
trying to block his path. So, Rene
suddenly started looking at other
things, like animals and humans, and asking whether maybe their behavior was analogous to that statue. Maybe they you
really were physical beings as well and
may be their behavior did reflect something like hydro, hydraulics, some physical process that made
them look animate. Ultimately, Rene
concluded that that once the case for animals, he felt they were fully machine-like, fully mechanical. But
humans, he thought were a little
different. Humans, he thought, had a dual nature. And we now call this notion, Cartesian
Dualism. So, he thought, yes, humans are
partly machine. And sometimes, their
behavior is reflecting that mechanistic side of them, but he thought humans also had a soul. And
that soul could, at times, control the
body. Much like a, a marionette controller, you
know, a puppeteer. the puppet is moving, the puppet is acting, but it's actually the puppeteer who's
moving the strings and causing the
action. So, Rene thought we do possess a soul and that soul can intervene and take control of
this machine, or it can kind of sit back
and let the machine do its own thing.
So, this dual nature, Cartesian Dualism. As philosophers considered this
idea, some of them went a little bit
more radical. And I'll, I'll ask you to
kind of look at the dates now. Rene
Descartes, he's around 1600s. So now, let's go to John Locke, late 1600s. So, John Locke started to push the
idea that maybe even the mind, the human
mind, maybe it was even mechanical, physical
and therefore, maybe it was subject to natural laws that could be
studied scientifically. Now, this notion
was given a name by James Mill, you
know, into the 1800s now. James Mill called this idea materialism, the idea that we are material beings. So,
material beings in a material world. And
therefore if we are completely material, if there is no soul whatsoever, then everything, all human behavior, reflects
material interactions that should be
governed by natural laws that could be studied, okay? So, that's a, that cognitive shift really
opens the door for psychological
investigation. Now, before I go too much further, let me just say I have a link to a short video here
that explains this notion of Cartesian
dualism in, in a little bit more detail and, and it shows you some pretty pictures along the way. So, check that
out and then come around right back.
Okay, welcome back. Philosophy is all
well and good, but Philosophy is about ideas.
How do you know which ideas are right? Well, Philosophy itself had an
answer to that question. And the answer
was something they called Empiricism.
Empiricism is the notion of conducting
experiments that demonstrate clearly what is and what isn't true. And when it comes to this notion of, of
humans as potentially being materialistic
beings I want to highlight two sorts of experimentation. So, first let's start with Luigi Galvani.
Luigi Galvani, a very interesting guy did
a lot of research on frog legs or he eventually, at least, did. it was kind of happenstancial, he happened to
have, I don't know why, he happened to
have dismembered frogs on, on a table where static seemed to cause a leg to move. And he was intrigued by this,
and he ultimately created a scientific experiment. So, that's kind of of shown in this panel on
the right. These things that you're
seeing are depictions of frog legs and, you know, what Luigi would stress when he did his
demonstration is, there is no soul in
these frog legs. Maybe, depending on your belief system, you might believe that once upon a time, a
soul did inhabit this frog's body. But
if that soul was there, it ain't there now.
at some point, when this frog became dismembered, the soul left the
body. And clearly, what we have left
here is just biological matter, material matter. But what Luigi shows is if you apply a
current, so imagine, this is a frog leg,
if you apply an electrical current to the muscle, you will see that frog
leg retract. And if you let that current
go, it will kick it. So, by applying or
not an electrical current, you can
literally make that leg dance. You can
make it look animate, you can make it move, as though it were full of life. There's a short little video, very
short, but let's just do it for fun to
give you a sense. Here, we have our frog
legs, applies a current to one place and ground to another, you see the frog leg kick, okay?
Nothing too profound there, but that
gives you the idea and Luigi would go around showing this
demonstration. It was very powerful. It
showed people in a very clear way that
the body at least seems to be a mechanical kind of device, not a hydraulic, more electric in what we will now
call electrical, electrochemical. but
clearly there was a machine like nature to it.
Okay, fine. It's a frog. Rene
Descartes said frogs were immaterial.
Why should we be impressed? Why should we accept that what's true
of the frog is true of the human? And
that's where I want to highlight the
work of Paul Broca. let me translate this for, for, for those of you who are not Chinese. this says,
Broca's area, this says Wernicke's area
and it's pointing to var, various subsections of the brain. So, let, let me give you the backstory of
this. Paul Broca and, and notice now, we
are into the 1800s. Paul Broca was a
medical doctor and he would visit many different institutions and one thing he noticed was that, he came
across these patients, in different
places that seemed to have a very similar and interesting
symptomatology. So, specifically, they
would follow instructions well. If you,
you said something to one of these patients like, hey, can you go get that glass of water on the table over there
and bring it to me, they would do
exactly that. They clearly understood language. But when they tried to speak to you, they
couldn't form comprehensible sentences.
Their language was all jumbled. They could perceive speech but they couldn't produce it. Paul found this really
fascinating and he did what had to be a
kind of an odd thing for the time. He
asked these patients for their permission for the following. When you die, I would like to cut your skull
open and remove and examine your brain.
Kind of a crazy idea, but a number of
patients agreed to this. Said, okay, sure. Well, I guess they didn't actually say, okay,
because they had problems speaking. But
they had some way of indicating that they were okay with this. And now, Paul being a very, very patient
scientist, waited. [LAUGH] And he waited
till they died. When they died, he removed their brain and looked at it, and tumor patient, everyone
of them had damage in this area. This
are we now call Broca's area. In fact, since Broca's work another patient group was was discovered as sort of
opposite patient group who had problems
understanding language but could produce it perfectly fine. When you look at their brains, they all have
damage over here, in area we now call,
Wernicke's area. Now, these results are critical because they seem to show that the brain itself is
kind of put together like a machine.
Distinct parts of the brain seem to have distinct functions, a notion
that we call localism in the brain.
Local parts of the brain do very specific
things. That is true of machines.
You know, the steering wheel does a very specific thing in a car. The acceleration pedal does a very specific
thing. So, the brain kind of looks like
that. And it looks like that even with respect
to something like language, which we consider a very high level ability,
a human ability, shall we say and even
then, it looks mechanistic. So, the
results of Broca really seem to go along with this, this philosophical move towards a materialistic view of humans. By the way, this was also the time, I have
Frankenstein over here. Because I think
it's kind of interesting to know, Mary Shelley's Frankenstein, that book, was written at about this
time. And really, the fact that it's
written about this time is a reflection of the
time. This was a time when doctors, physicians, scientists, started to think of the human
body and the human mind as a machine,
something like Frankenstein, that you could maybe even put together with
spare parts. And think Luigi Galvani
now. If you have a bolt of electricity,
that might animate this machine and bring it
to life. And maybe that's all there is to a machine. Now, Frankenstein wasn't, you know,
a real success as a human. But he does
embody, quite honestly, that concept,
that the human condition maybe a purely physical, purely material condition. And if that's true, then we can
assume that human behavior must reflect
natural laws and that put it squarely into the,
into the realm of science. It suddenly becomes human behavior, suddenly becomes something we can study
scientifically. That's what we'll turn
to next. Thank you for your attention. I
hope you enjoyed the story. Until next time.
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